Story working on

 # Ner Kaathal  
(English translation, easy to read, easy to export)

## Chapter 1  
Thrissur, 1997  
The house smelled of old books and turpentine.

Vinod was ten. He sat behind the wooden pillar, knees to chest, counting how many times his father said the word “mediocrity” and how many times his mother answered with silence.

Father (shouting): “You think marrying me made you an artist? You are painting the same jasmine flower for fifteen years!”

Mother (very soft, very dangerous): “At least the jasmine never leaves me, Raviettan.”

Then a plate broke. Then a kiss. Then the light went off.

Vinod pressed his palms to his ears and made a promise to the dark:  
“My house will never sound like this.”

## Chapter 2  
Kochi, 2018  
Vinod Menon, advocate, thirty-seven years old, unmarried, good salary, no debts, no bad habits except secretly listening to Backstreet Boys in the car with the windows rolled up.

His aunt from Palakkad called.  
“Vinodettan, we found a girl. Lakshmi Warrier, Kottayam. Bharatanatyam teacher. Very fair, very quiet. You just meet once.”

He met once.  
She wore off-white saree, no smile, eyes fixed on the table.  
He thought: quiet is good. Quiet is safe.

They married in forty-five days.

First night.  
She went to the bathroom and cried for twenty-three minutes.  
He counted every second from the other side of the door, then pretended he was asleep.

## Chapter 3  
Two years passed like borrowed time.

Nandita was born. Vinod became a fool who sang “I want it that way… believe when I say…” while changing nappies.

One night he opened Lakshmi’s cupboard to find a baby frock and saw the small wooden box instead.

Inside: dried jasmine, one old photograph, letters.

He read one line and the world went silent.

“Arjunettan, I count the days until the next Theyyam. Your Lakshmi.”

He closed the box, put it back exactly, and went to the balcony.

Rain was falling straight and hard, like punishment.

Vinod to the rain: “Again I reached second place.”

## Chapter 4  
Next morning he made filter coffee, two cups, and spoke like a man discussing the weather.

Vinod: “Lakshmi, do you want to find him?”

Lakshmi dropped the steel glass. Coffee spread like blood.

Lakshmi (whisper): “What are you saying?”

Vinod: “We have a daughter. I don’t want her to grow up in a house where love is hiding in a wooden box. We will go to Kannur. If your heart still runs to him, I will leave you there. I will manage.”

Lakshmi: “You are mad.”

Vinod (smiling like it hurts): “Yes. Little bit.”

## Chapter 5  
They travelled north. Train, bus, auto, Nandu on Vinod’s hip, Lakshmi looking out of windows.

At night in cheap lodges Vinod told stories he had never told anyone.

Vinod: “When I was eight, Amma tried to swallow sleeping pills. I hid the bottle inside my school bag for three months. Every day I prayed the tablets would lose power.”

Lakshmi listened. First time her eyes stayed on him longer than two seconds.

## Chapter 6  
Kannur. Theyyam night.

Arjun became the goddess, face painted red and gold, sword in hand, fire on head.

Drums. Smoke. Blood from self-cuts.

Lakshmi stood between husband and old lover, holding her daughter’s hand so tight the child complained.

After the ritual Arjun came, barefoot, voice broken.

Arjun: “I waited. Every Theyyam season I looked for your face in the crowd.”

Lakshmi cried without sound.

That night she sat on the temple step beside Vinod.

Lakshmi: “Take me home, Vinodettan. I was blind. You are my home.”

Vinod closed his eyes. The biggest yes of his life, and he only nodded once.

## Chapter 7  
Four golden years in Kochi.

Lakshmi danced again, this time for Nandu and Vinod.

She learned every Backstreet Boys lyric because Vinod blushed when she sang “Quit Playing Games” in the kitchen.

Vinod’s only remaining dream: to take his girls to London, O2 Arena, Backstreet Boys farewell tour.

He booked three tickets. Front standing. He told Nandu, “Appa will carry you on shoulders the whole night.”

## Chapter 8  
London, November 2025

They reached three days early. Red buses, Big Ben, rain that felt like home.

Concert night. Nandu wore glitter cat ears. Vinod wore the biggest smile of his thirty-nine years.

The boys sang “Everybody.” Then “As Long As You Love Me.” Then the song Vinod waited for all his life: “I Want It That Way.”

He had tears. Lakshmi had tears. Nandu waved her little sign: I LOVE YOU DADDY.

Encore. Blue lights. “Show Me the Meaning of Being Lonely.”

Vinod lifted Nandu higher. Lakshmi pressed her face to his shoulder.

He said, very soft, only for her ears: “I grew up without these words. Thank you for teaching me.”

She answered: “Njan ninne snehikkunnu, Vinodettan.”

That was the exact second the first bomb went off.

## Chapter 9  
It was not loud like in movies. It was a dull thud, then heat, then darkness.

Vinod pushed his wife and daughter down, covered them with his body the way he once covered his ears from his parents’ fighting.

He felt pain, then warmth spreading across his chest, then nothing.

When the lights came back, Lakshmi was screaming his name into smoke.

She found him lying on his back, eyes open to the roof, still smiling a little, the glitter cat ears crushed in his hand.

He was already gone.

## Chapter 10  
London, three years later

Lakshmi teaches dance in Wembley. Nandu speaks English like a London child and Malayalam like her mother.

Every year on 15 November, Lakshmi takes the Jubilee line to North Greenwich.

She stands outside the O2, now half memorial, half concert hall.

She brings the two cracked light sticks Vinod never got to wave.

She switches them on. Pale blue. Almost dead.

She waits until the light dies completely.

Then she walks to the Thames and takes out the note he wrote on the flight to London, the note she has carried for three years.

She reads it one last time.

“If anything happens to me, remember:  
I heard ‘I love you’ back.  
I heard it during my favourite song, with my two girls against my heart.  
Some people wait a hundred years and never get that.  
So don’t cry too long.  
Tell Nandu her Appa left happy.  
– Vinod”

She lets the paper go.

It floats under the bridges, past the lights, towards the sea.

Lakshmi whispers to the dark water:

“Njan ninne snehikkunnu… eppozhum.”

(I love you… always.)

The river takes his name and keeps it.

End.

 

Copyright fully owned by me. 

Story Pitch: *Ner Kaathal* (True Love)


**Genre**: Drama, Romance, Tragedy  
**Setting**: Contemporary Kerala – Kottayam backwaters, Thrissur temples, Kochi city life, and finally a crowded indoor arena in Kochi.  
**Perspective**: Still told through Vinod Menon, until the moment he can no longer speak.

**Logline**: A gentle lawyer shaped by his parents’ stormy yet unbroken marriage believes arranged marriage will finally give him the love he never had as a child—only to discover his wife still loves another man, and just when she is ready to love him back, a senseless bomb blast at a Backstreet Boys reunion concert steals him forever.

**Plot** (re-written with tragic ending):

**Act 1: A Dream Born of Chaos**  
Everything remains the same until the wedding night. Vinod (35), the quiet Kochi lawyer from an intellectually combative Thrissur household, marries Lakshmi (26), the graceful Bharatanatyam dancer from Kottayam. He is already in love with the idea of her. She is polite, distant, mourning a past.

**Act 2: The Weight of Her Past**  
Married life in Kochi is painfully civil. Lakshmi keeps Anil’s locket, listens to old folk cassettes when she thinks Vinod is asleep, and flinches from his touch. Vinod finds the unsent letters, learns about the Theyyam artist from Kannur her family rejected because he was “beneath” them. Instead of anger, Vinod feels only a deep, familiar ache—he knows what it is to love someone who cannot fully love you back; he watched his parents do it for thirty-five years.

**Act 3: The Selfless Odyssey**  
Exactly like the original: Vinod secretly plans the journey north, pretending it is a delayed honeymoon to see Theyyam season in Kannur. They travel by train, by boat through the backwaters, by bus along the coast. Vinod opens up about his childhood—nights hiding under the teak dining table while his father quoted Kafka and his mother smashed her unpublished poems against the wall. Lakshmi begins to see the gentle, wounded man who never demands anything from her.

In a moonlit Theyyam ground, face painted like a god, Anil performs with the same fire that once made Lakshmi’s heart race. But ten years have passed. Anil now has a wife, a child on the way, debts, and the weary eyes of a man who knows the romance of the road has a price. Lakshmi watches the ritual, then watches Vinod standing quietly at the edge of the crowd, hands in his pockets, ready to walk away forever if that is what she needs.

That night, by the sea in Payyambalam, she cries—not for Anil, but for the time she wasted and the good man she almost lost. She takes Vinod’s hand and says, for the first time, “Let’s go home.”

**Act 4: Five Months of Quiet Happiness**  
Back in Kochi, something tender blooms. They are shy with each other, like teenagers. Lakshmi starts leaving her locket in a drawer. Vinod brings her filter coffee in bed and laughs—actually laughs—when she teases him about his terrible taste in music. She discovers he secretly loves 90s American pop. For their six-month wedding “monthiversary” (Vinod’s silly word), Lakshmi surprises him: two tickets to the Backstreet Boys reunion concert at the packed new arena in Kochi. She rolls her eyes but smiles—“I want you to be happy, even if it means listening to five middle-aged men sing about wanting it that way.”

The night of the concert. The arena is full—teenagers who grew up with the songs, thirty-somethings reliving their childhood, couples like Vinod and Lakshmi holding hands in the crowd. They are in the standing area near the front. Vinod is ridiculous—singing every word, arms around Lakshmi, kissing her temple during “I Want It That Way.” For the first time in his life, Vinod Menon feels he belongs to someone and is belonged to in return.

The encore begins. The lights dim for “Show Me the Meaning of Being Lonely.”  
A deafening blast rips through the arena. Then another. And another.  
Panic. Screams. Smoke. Falling lights.

Vinod shoves Lakshmi down, covers her with his body.  
She feels the warmth of him, then the wetness.  
When the ringing stops and the emergency lights come on, she is clutching his hand, but it is already limp.

**Epilogue: What Remains**  
Lakshmi survives with minor injuries.  
She keeps the concert wristband and the locket—now side by side in a small wooden box.  
She returns to the Kottayam house she once wanted to escape, teaches Bharatanatyam to little girls, and every year on their wedding anniversary she takes the train to Thrissur, sits in the same cinema hall where Vinod once took her for their first “date” after Kannur, and plays the Backstreet Boys on her phone at full volume, alone in the dark.

The final shot: the empty arena months later, workers repairing the blast damage. A cleaner finds a torn ticket stub on the floor. On the back, in Vinod’s neat lawyer handwriting:  
“Thank you for letting me be your last love. – V”

Fade to black.  
Title card in Malayalam and English:  
“Ner Kaathal”  
True love sometimes lasts only long enough to be recognized—  
and then it is gone forever.

Story Type 1

 

In the quiet backwaters of Kottayam, where the
kayal shimmered under the afternoon sun, Vinod Menon found himself a quiet observer of life, both in his law practice in Kochi and in the echoes of his past. His childhood home in Thrissur, near the vibrant noise of the Pooram, had been a stage for his parents’ perpetual, passionate sparring. His father, a literature professor with a thundering voice, and his mother, a poet chasing bohemian dreams, lived a life of intense, unresolved intellectual ambition. They never divorced, yet their bond was a turbulent mix of love and simmering resentment, leaving Vinod craving a simple, quiet stability they never offered.
He romanticized arranged marriage, believing it to be the true path to a loving, secure family—a stark contrast to the emotional void of his youth. When his family introduced him to Lakshmi, a Bharatanatyam dancer from a traditional Nair tharavadu in Kottayam, he was captivated. Her poise, her quiet grace during their engagement meetings near the Vembanad Lake, promised the serenity he desperately sought. He envisioned shared evenings by the backwaters, a home filled with laughter, a stark departure from the cold intellectualism of his past.
Their wedding night, however, shattered the illusion. Lakshmi was distant, a palpable sorrow clouding her beautiful eyes. Unease gnawed at Vinod. As the days in their Kochi apartment unfolded, it became clear her heart resided elsewhere. She spent evenings lost in thought, avoiding intimacy, clinging to a small silver locket with a faded photograph.
One evening, while trying to organize the house, Vinod found a dusty cassette of folk songs and a hidden letter. The truth unspooled: Lakshmi was bound to a past love, Anil, a charismatic Theyyam artist from Kannur. Her conservative family, disapproving of Anil’s itinerant lifestyle and lower caste, had forced them apart, arranging her marriage to Vinod. She was a silent captive, her longing for Anil mirroring Vinod’s own yearning for a love his parents had never modeled. The emotional void of his childhood returned, the feeling of being invisible in his own life, now an intruder in his own marriage.
Instead of anger, an overwhelming empathy washed over him. Inspired by a selfless love he had only ever read about, Vinod made a radical decision. He would help Lakshmi find closure. He proposed a journey north, through the misty hills of Wayanad, the bustling markets of Kozhikode, leading them to the sacred Theyyam grounds of Kannur. He framed it as a cultural exploration, a way to see Kerala’s vibrant heritage.
Along the journey, Vinod opened up, sharing stories of his youth, the lonely boy mediating his parents' grand arguments, the longing for simple affection. Lakshmi, touched by his vulnerability, revealed her guilt, her fear that her heart was too broken to ever love again.
In Kannur, they found Anil performing at a temple ritual, his fiery, primal performance captivating the crowd. Lakshmi watched, initially mesmerized, but as she observed him, she saw the transient nature of his life, the absence of the quiet strength and stability Vinod offered. Yet, her heart remained tethered, a complicated knot of past memories.
Vinod, prepared to let her go, had booked tickets for a concert in Mumbai—the Backstreet Boys, a favorite of Lakshmi’s teenage years, something he hoped would bring her joy, a final selfless act. He handed her the tickets after they left the temple, urging her to find her happiness, with Anil or on her own terms.
They reached Mumbai, a city buzzing with a different kind of energy. The stadium was packed, the air electric with nostalgia. As the first chords of a familiar song began, Lakshmi turned to Vinod, a new light in her eyes, a nascent appreciation for his profound sacrifice. "Vinod," she began, a subtle smile signaling a potential shift.
But fate, a cruel scriptwriter, intervened. The world erupted in a thunderous roar. A bomb blast ripped through the stadium floor. Chaos ensued, a sea of screaming faces and dust. In the frantic rush, Vinod pushed Lakshmi towards an exit, his last conscious thought a desperate plea for her safety.
He never made it out.
Back in Kochi, the apartment once filled with silent sorrow was now heavy with the finality of grief. Lakshmi returned alone. Vinod’s parents, the volatile poets and professors, were united in a shared, profound silence, their intellectual sparring over a son lost to senseless violence. The perfect marriage Vinod had yearned for, the one he had tried to build with such selfless love, remained an unfinished story. The only thing left was the quiet echo of a Backstreet Boys song and the tragic, enduring irony that in death, Vinod achieved a quiet, selfless love that transcended life itself. His sacrifice became the tragic, poignant truth of Ner Kaathal, a love realized only in its devastating absence.
 
 
Above story is copyrighted : By Me. Need permission to use in any form or inspiration either in full or partial. 

Another day - Never published this below

I am sat here in this room many kilometers away from place I call home. Things to do based on DAAD for masters

  • Gather Information
  • Submit Application
  • Find housing
  • Apply for Visa 
  • Reach University 

22 Oct 2022

I realized that me and mahesh has a score of 2.52 at bachelors. So inorder to get in its pretty much tough.

Single most important things I figured is If i study german upto B2 we can study in german taught program which improves my chances of a german job too.

 First step I believe it could be APS certificate

 


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